Archives

Daniel Jarosak reviews "A Postcard from Rome", an emotional Latvian film looking at the effects of dementia on a loving relationship.

Francesco Damiano Desantis reviews the documentary film "Another Summer — Stories of Exile from Afghanistan and Ukraine”

Aysel Akhundova reviews Orkhan Aghazade's "The Return of the Projectionist", an ode to cinema set in Azerbaijan's Talysh region

Kasia Kostraba reviews Oksana Karpovych's "Intercepted" as part of Lossi 36's coverage of the 2024 Samizdat Film Festival

Often considered one of the best films produced in Czechoslovakia, The Cremator (Spalovač mrtvol, 1969) is an impeccable example of the Czechoslovak New Wave. Darkly surreal, it portrays how [...]

The Hourglass Sanatorium (1973) is an oneiric and elusive film, where the sacred and the profane flow interchangeably. Director Wojciech Jerzy Has, drawing on the legacy of Bruno Schulz’s [...]

Xandie (Alexandra) Kuenning reviews Nutsa Gogoberidze's "Uzhmuri" as part of Lossi 36's coverage of the 2024 Samizdat Film Festival

Polina Gundarina reviews "A Picture to Remember" as part of Lossi 36's coverage of the 2024 Samizdat Film Festival

Pyke Haans reviews Agnieszka Holland's latest film focusing on the border between Poland and Belarus on the Białowieża Forest

Annkatrin Müller and Robin Roth review a series of Central Asian short films from the 24th edition of the goEast Film Festival