Ravaging Mingrelia to build a new Soviet future: “Uzhmuri” at the 2024 Samizdat Film FestivalSeptember 30, 2024Xandie (Alexandra) Kuenning reviews Nutsa Gogoberidze's "Uzhmuri" as part of Lossi 36's coverage of the 2024 Samizdat Film Festival
Women’s experiences in the face of brutality: “A Picture to Remember” at the 2024 Samizdat Film FestivalSeptember 29, 2024Polina Gundarina reviews "A Picture to Remember" as part of Lossi 36's coverage of the 2024 Samizdat Film Festival
The Crimean fairytale: Jamala’s “Qırım” in perspectiveSeptember 27, 2024Our Eastern Europe regional editor Liza Zolotarova reviews Jamala's 2023 album Qırım, exploring what it means for Crimean Tatars today
In the footsteps of the past: “The Spa” by Bojan MrđenovićSeptember 26, 2024Our partner OsTraum delves into the work of Croatian photographer Bojan Mrđenović, highlighting the role of the spa in Croatian society
“The essence of Georgian fine art of the postmodern period”: The legacy of Soviet Georgian mosaicsSeptember 23, 2024Xandie (Alexandra) Kuenning shares some of her favourite Soviet Georgian mosaics in this article highlighting their history (and neglect)
7 Berlin hotspots of socialist architectureSeptember 17, 2024Our partner OsTraum highlights some of the best examples of socialist architecture in Berlin, as a part of this month's focus on architecture
Opinion: It is time to dismantle PiS’s memory politicsSeptember 13, 2024Kirsten Terrill argues that Poland must acknowledge the full spectrum of Polish history without the interference of politics
Experiencing the 1990s on an Estonian peninsula: “Everything is Wonderful” by Sigrid RausingSeptember 9, 2024Baltics editor Maja Soomägi reviews "Everything is Wonderful," Sigrid Rausing's book based on her anthropological fieldwork in Estonia