Caucasus

Fin Logie reviews "House on the Volcano," a gem of Soviet Armenian film accompanied in this Glasgow screening by a live score

Xandie (Alexandra) Kuenning reviews the Soviet Georgian feminist classic "Some Interviews on Personal Matters"

Xandie (Alexandra) Kuenning reviews "Aurora's Sunrise," a partly-animated film delving into a lesser-known figure of the Armenian Genocide

Xandie Kuenning reviews Maradia Tsaava's 2021 film "Water Has No Borders," a documentary more about the filmmaker than its ostensible topic

Xandie (Alexandra) Kuenning reviews the 2019 anthology "I Set It Free," a collection emphasising contemporary poetry by Georgian women

Joseph Elgar shows how the recent shift in Armenia's foreign policy leads away from Russia towards new potential partners and allignments.

Xandie (Alexandra) Kuenning reviews "American Fairy Tales," a semi-fictional account of Dato Turashvili's experiences in the United States

Laura Avetisyan shows how the Karakbakh Armenians increasingly see the toleration of the Lachin corridor's blockade as an act of resistance.

Emma Smeyers reviews Saxon Bosworth's latest wildlife documentary "Mr. Velvet Scoter," a sensitive dialogue on conservation in Georgia

Xandie (Alexandra) Kuenning reviews "The Pass of the Persecuted," Guram Odisharia's personal account of crossing the Sakeni-Chuberi mountain pass during the 1992–93 Georgian-Abkhazian conflict