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News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

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  • ANALYSIS
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Caucasus

 A Scottish premiere of an overlooked gem of classic Armenian cinema: “House on the Volcano” at the Samizdat Eastern European Film Festival

A Scottish premiere of an overlooked gem of classic Armenian cinema: “House on the Volcano” at the Samizdat Eastern European Film Festival

September 18, 2023

Fin Logie reviews "House on the Volcano," a gem of Soviet Armenian film accompanied in this Glasgow screening by a live score

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 A feminist depiction of Soviet womanhood: “Some Interviews on Personal Matters” at the Samizdat Festival of Central and Eastern European Film

A feminist depiction of Soviet womanhood: “Some Interviews on Personal Matters” at the Samizdat Festival of Central and Eastern European Film

September 10, 2023

Xandie (Alexandra) Kuenning reviews the Soviet Georgian feminist classic "Some Interviews on Personal Matters"

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 “The people are my nation. If my nation is gone, no more Armenians live”: “Aurora’s Sunrise” at the Samizdat Festival of Central and Eastern European Film

“The people are my nation. If my nation is gone, no more Armenians live”: “Aurora’s Sunrise” at the Samizdat Festival of Central and Eastern European Film

September 10, 2023

Xandie (Alexandra) Kuenning reviews "Aurora's Sunrise," a partly-animated film delving into a lesser-known figure of the Armenian Genocide

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 “Going to Abkhazia is like stepping into a fairytale — it’s impossible”: Maradia Tsaava’s film “Water Has No Borders”

“Going to Abkhazia is like stepping into a fairytale — it’s impossible”: Maradia Tsaava’s film “Water Has No Borders”

September 5, 2023

Xandie Kuenning reviews Maradia Tsaava's 2021 film "Water Has No Borders," a documentary more about the filmmaker than its ostensible topic

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 Poems of oppression and liberation: “I Set It Free: An Anthology of Georgian Women’s Contemporary Poetry”

Poems of oppression and liberation: “I Set It Free: An Anthology of Georgian Women’s Contemporary Poetry”

August 22, 2023

Xandie (Alexandra) Kuenning reviews the 2019 anthology "I Set It Free," a collection emphasising contemporary poetry by Georgian women

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 An Armenian-Russian split? Armenia’s new foreign policy and reorientation abroad

An Armenian-Russian split? Armenia’s new foreign policy and reorientation abroad

August 4, 2023

Joseph Elgar shows how the recent shift in Armenia's foreign policy leads away from Russia towards new potential partners and allignments.

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 A meandering look at love, culture-shock, and anecdotal history: “American Fairy Tales” by Dato Turashvili

A meandering look at love, culture-shock, and anecdotal history: “American Fairy Tales” by Dato Turashvili

July 26, 2023

Xandie (Alexandra) Kuenning reviews "American Fairy Tales," a semi-fictional account of Dato Turashvili's experiences in the United States

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 Nagorno-Karabakh in the shadow of ‘integration’: How a blockade has become a site of everyday resistance

Nagorno-Karabakh in the shadow of ‘integration’: How a blockade has become a site of everyday resistance

July 21, 2023

Laura Avetisyan shows how the Karakbakh Armenians increasingly see the toleration of the Lachin corridor's blockade as an act of resistance.

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 Not ‘just’ a duck documentary: Reviewing Saxon Bosworth’s “Mr. Velvet Scoter”

Not ‘just’ a duck documentary: Reviewing Saxon Bosworth’s “Mr. Velvet Scoter”

June 26, 2023

Emma Smeyers reviews Saxon Bosworth's latest wildlife documentary "Mr. Velvet Scoter," a sensitive dialogue on conservation in Georgia

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 A meditation on death during Georgia’s violent 1990s: “The Pass of the Persecuted” by Guram Odisharia

A meditation on death during Georgia’s violent 1990s: “The Pass of the Persecuted” by Guram Odisharia

June 23, 2023

Xandie (Alexandra) Kuenning reviews "The Pass of the Persecuted," Guram Odisharia's personal account of crossing the Sakeni-Chuberi mountain pass during the 1992–93 Georgian-Abkhazian conflict

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