Archives

Xandie (Alexandra) Kuenning reviews the Soviet Georgian feminist classic "Some Interviews on Personal Matters"

Xandie Kuenning reviews Maradia Tsaava's 2021 film "Water Has No Borders," a documentary more about the filmmaker than its ostensible topic

Xandie (Alexandra) Kuenning reviews the 2019 anthology "I Set It Free," a collection emphasising contemporary poetry by Georgian women

Xandie (Alexandra) Kuenning reviews "American Fairy Tales," a semi-fictional account of Dato Turashvili's experiences in the United States

Emma Smeyers reviews Saxon Bosworth's latest wildlife documentary "Mr. Velvet Scoter," a sensitive dialogue on conservation in Georgia

Xandie (Alexandra) Kuenning reviews "The Pass of the Persecuted," Guram Odisharia's personal account of crossing the Sakeni-Chuberi mountain pass during the 1992–93 Georgian-Abkhazian conflict

Thijs Korsten reviews "See You In Chechnya," a documentary questioning war and the journalists who cover it

Xandie (Alexandra) Kuenning reviews "The Amorous Detective and Other Stories," a short story collection reminiscing about life in Soviet Georgia

Xandie (Alexandra) Kuenning reviews Guram Odisharia's "The Cyclops Bomb," a vivid, vicious, and absurd novel about conflict in the Caucasus

In this op-ed, Natika Kantaria discusses the 7-9 March demonstrations in Tbilisi and the importance of women's engagement in protest