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News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

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News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

Start typing and press Enter to search

  • ANALYSIS
  • NEWS
  • POLITICS
  • OPINION
  • CULTURE
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  • PHOTOGRAPHY
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Review

 Revealing Tbilisi’s silent citizens: Reviewing Machavariani’s film “Sunny”

Revealing Tbilisi’s silent citizens: Reviewing Machavariani’s film “Sunny”

April 6, 2023

Xandie (Alexandra) Kuenning reviews "Sunny" ("Mziuri"), a Georgian documentary bringing notice to the hidden citizens of Georgia

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 Astute observations: Reviewing “Tideline” by Krystyna Dąbrowska

Astute observations: Reviewing “Tideline” by Krystyna Dąbrowska

March 29, 2023

Katherine Leung reviews Krystyna Dąbrowska's "Tideline," a collaborative poetry collection that highlights the the extraordinary in everyday life

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 In search of a family’s forgotten dark past: Reviewing “A Crime in the Family” by Sacha Batthyány

In search of a family’s forgotten dark past: Reviewing “A Crime in the Family” by Sacha Batthyány

March 24, 2023

Xandie Kuenning reviews "A Crime in the Family," a memoir from Sacha Batthyány about discovering the dark side of one's family history

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 Borderless: Reviewing “Paper-thin Skin” by Aigerim Tazhi

Borderless: Reviewing “Paper-thin Skin” by Aigerim Tazhi

March 20, 2023

Katherine Leung reviews "Paper-thin Skin," Aigerim Tazhi's second poetry volume reflecting on identity and the stability of nature

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 A bleak forecast: reviewing “To the Ashes” by Anzhelina Polonskaya

A bleak forecast: reviewing “To the Ashes” by Anzhelina Polonskaya

March 8, 2023

Katherine Leung reviews Anzhelina Polonskaya's poetry collection "To the Ashes," a lamentation of Russian authoritarianism

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 Abandoned socialist hope and mother-daughter relationships: “Museum of the Revolution” at the Tbilisi International Film Festival

Abandoned socialist hope and mother-daughter relationships: “Museum of the Revolution” at the Tbilisi International Film Festival

February 14, 2023

Maja Soomägi reviews "Museum of the Revolution," a symbolic film about those living on the margins of society, decades after the post-socialist utopian dream ended

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 Unearthing the forgotten story of Jewish agents in the Second World War: “Occasional Spies” at the Tbilisi International Film Festival

Unearthing the forgotten story of Jewish agents in the Second World War: “Occasional Spies” at the Tbilisi International Film Festival

January 18, 2023

Alexandra Kuenning reviews "Occasional Spies," a gripping and innovative documentary about a group of Palestinian Jews who volunteered to return to their countries of origin in Eastern Europe in [...]

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 A woman’s strength in the face of war: “Klondike” at the Tbilisi International Film Festival

A woman’s strength in the face of war: “Klondike” at the Tbilisi International Film Festival

December 23, 2022

Directed by Maryna Er Gorbach, Klondike (2022) encapsulates all the harrowing emotions and diverse reactions that occur when war takes over your home. The film follows the heavily pregnant Irka [...]

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 A tepid thriller on police corruption and institutional racism in Romania: “Unidentified” at the Tbilisi International Film Festival

A tepid thriller on police corruption and institutional racism in Romania: “Unidentified” at the Tbilisi International Film Festival

December 22, 2022

Unidentified (Neidentificat, 2020) is a sparse mystery situated around the character study of a corrupt detective. While there is some merit to its wry examination of police corruption and the [...]

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 A delightful comedy about Georgian wine drowning in Soviet bureaucracy: “Falling Leaves” at the Tbilisi International Film Festival

A delightful comedy about Georgian wine drowning in Soviet bureaucracy: “Falling Leaves” at the Tbilisi International Film Festival

December 19, 2022

Tbilisi International Film Festival held a special screening of the Soviet-Georgian classic Falling Leaves by Otar Iosseliani, showing a marvellously restored version of this cinema classic.

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