Format

Hannah Sophia Jones looks at how street art in the infamous municipality of Luník IX sends a message to the skies and beyond

Alexandra Kuenning reviews "Occasional Spies," a gripping and innovative documentary about a group of Palestinian Jews who volunteered to return to their countries of origin in Eastern Europe in [...]

Subscribe to our Weekly here. In this week’s newsletter 📮: Bosnia’s Republika Srpska holds commemorative holiday in defiance of Bosnia’s Constitutional Court, Armenia refuses [...]

Subscribe to our Weekly here. In this week’s newsletter 📮: North Macedonia assumes rotating OSCE chairmanship, air bridge to Artsakh requested, McDonald’s leaves Kazakhstan, Polish Prime [...]

Directed by Maryna Er Gorbach, Klondike (2022) encapsulates all the harrowing emotions and diverse reactions that occur when war takes over your home. The film follows the heavily pregnant Irka [...]

Unidentified (Neidentificat, 2020) is a sparse mystery situated around the character study of a corrupt detective. While there is some merit to its wry examination of police corruption and the [...]

Subscribe to our Weekly here. In this week’s newsletter 📮: EU candidacy for Bosnia, blockade of Lachin Corridor, activism in Kazakhstan and Kyrgyzstan, vote of no confidence for the government [...]

Tbilisi International Film Festival held a special screening of the Soviet-Georgian classic Falling Leaves by Otar Iosseliani, showing a marvellously restored version of this cinema classic.

Maja Soomägi dives deeper into the integration of the Azerbaijani ethnic minority in Georgia in her review of the short film "Hey, Gunesh!"

Gabrielė Liepa examines the legacy of Soviet-era artists who collaborated with the regime in their review of "The Poet"