Format Archives - Page 14 of 84 - Lossi 36

An unexpected find in a garden shed leads to a belated journey down the memory lane of Odesan cinema: “Fragile Memory” at the goEast Festival of Central and Eastern European Film

An unexpected find in a garden shed leads to a belated journey down the memory lane of Odesan cinema: “Fragile Memory” at the goEast Festival of Central and Eastern European Film

Gabrielė Liepa reviews "Fragile Memory," a documentary contemplating the fragility of cultural heritage and memories

Why go to war when you don’t have to?: “See You In Chechnya” at the goEast Festival of Central and Eastern European Film

Why go to war when you don’t have to?: “See You In Chechnya” at the goEast Festival of Central and Eastern European Film

Thijs Korsten reviews "See You In Chechnya," a documentary questioning war and the journalists who cover it

Saying goodbye to Lenin at the Baltic Sea: “My Favourite War” at the goEast Festival of Central and Eastern European Film

Saying goodbye to Lenin at the Baltic Sea: “My Favourite War” at the goEast Festival of Central and Eastern European Film

Marianna Jaśniak reviews "My Favourite War," an intimate animated film recalling life behind the Iron Curtain

Envisioning hope and despair after years of death and destruction: “Atlantis” at the goEast Festival of Central and Eastern European Film

Envisioning hope and despair after years of death and destruction: “Atlantis” at the goEast Festival of Central and Eastern European Film

Xandie (Alexandra) Kuenning reviews "Atlantis," an exploration of what post-war Ukraine could look like, both the good and the bad

An absurdist musical from Soviet Latvia that could have become a counterculture milestone: “Maritime Climates” at the goEast Festival of Central and Eastern European Film

An absurdist musical from Soviet Latvia that could have become a counterculture milestone: “Maritime Climates” at the goEast Festival of Central and Eastern European Film

Gabrielė Liepa reviews "Maritime Climates," a short film consisting of the surviving fragments from an unusually experimental Soviet film

Emigration, nostalgia, and a Croatian groundhog day: “The Uncle” at the goEast Festival of Central and Eastern European Film

Emigration, nostalgia, and a Croatian groundhog day: “The Uncle” at the goEast Festival of Central and Eastern European Film

Xandie (Alexandra) Kuenning reviews "The Uncle," a tense thriller examining family dynamics and Yugoslav nostalgia

The Rheinmain Short Film Award Competition at the goEast Festival of Central and Eastern European Film

The Rheinmain Short Film Award Competition at the goEast Festival of Central and Eastern European Film

Xandie (Alexandra) Kuenning reviews the collection of innovative films competing in the Rheinmain Short Film Award

Lost in desperation: “Remember to Blink” at the goEast Festival of Central and Eastern European Film

Lost in desperation: “Remember to Blink” at the goEast Festival of Central and Eastern European Film

Marianna Jaśniak reviews "Remember to Blink," a compelling psychological drama about toxic jealousy, power, and control

Barbie in Transnistria: Entering the fantastic world of Mark Verlan

Barbie in Transnistria: Entering the fantastic world of Mark Verlan

Francesco Damanio Desantis explores the absurd and multifaceted life and work of Mark Verlan, who combined boundless imagination with the heritage of his native Moldova.

The importance of music in healing the soul: “A Life’s Music” by Andreï Makine

The importance of music in healing the soul: “A Life’s Music” by Andreï Makine

Xandie (Alexandra) Kuenning reviews "A Life's Music," Andreï Makine's novella exploring music and the Soviet condition