Format Archives - Page 13 of 83 - Lossi 36

Short films from the Davra Collective at the goEast Festival of Central and Eastern European Film

Short films from the Davra Collective at the goEast Festival of Central and Eastern European Film

Katherine Leung reviews short films from the Davra Collective, a growing roster of Central Asian artists, which screened at goEast

Magic and harsh realities in East Serbia: “Flotacija” at the goEast Festival of Central and Eastern European Film

Magic and harsh realities in East Serbia: “Flotacija” at the goEast Festival of Central and Eastern European Film

Xandie (Alexandra) Kuenning reviews the Serbian documentary "Flotacija," where magic coexists with the harsh reality of a destructive mining industry

Anatomy of violence: “Manifesto” at the goEast Festival of Central and Eastern European Film

Anatomy of violence: “Manifesto” at the goEast Festival of Central and Eastern European Film

Lukas Baake reviews "Manifesto," an intrusive panopticon of the violence, indoctrination, and despair youth face in Putin’s Russia

A deceivingly lighthearted Armenian comedy about the Soviet state and its great nemesis, the shepherds: “We And Our Mountains” at the goEast Festival of Central and Eastern European Film

A deceivingly lighthearted Armenian comedy about the Soviet state and its great nemesis, the shepherds: “We And Our Mountains” at the goEast Festival of Central and Eastern European Film

Gabrielė Liepa reviews "We and Our Mountains," the famed 1969 Armenian comedy drama and literary satire by Hrant Matevosyan

An unexpected find in a garden shed leads to a belated journey down the memory lane of Odesan cinema: “Fragile Memory” at the goEast Festival of Central and Eastern European Film

An unexpected find in a garden shed leads to a belated journey down the memory lane of Odesan cinema: “Fragile Memory” at the goEast Festival of Central and Eastern European Film

Gabrielė Liepa reviews "Fragile Memory," a documentary contemplating the fragility of cultural heritage and memories

Why go to war when you don’t have to?: “See You In Chechnya” at the goEast Festival of Central and Eastern European Film

Why go to war when you don’t have to?: “See You In Chechnya” at the goEast Festival of Central and Eastern European Film

Thijs Korsten reviews "See You In Chechnya," a documentary questioning war and the journalists who cover it

Saying goodbye to Lenin at the Baltic Sea: “My Favourite War” at the goEast Festival of Central and Eastern European Film

Saying goodbye to Lenin at the Baltic Sea: “My Favourite War” at the goEast Festival of Central and Eastern European Film

Marianna Jaśniak reviews "My Favourite War," an intimate animated film recalling life behind the Iron Curtain

Envisioning hope and despair after years of death and destruction: “Atlantis” at the goEast Festival of Central and Eastern European Film

Envisioning hope and despair after years of death and destruction: “Atlantis” at the goEast Festival of Central and Eastern European Film

Xandie (Alexandra) Kuenning reviews "Atlantis," an exploration of what post-war Ukraine could look like, both the good and the bad

An absurdist musical from Soviet Latvia that could have become a counterculture milestone: “Maritime Climates” at the goEast Festival of Central and Eastern European Film

An absurdist musical from Soviet Latvia that could have become a counterculture milestone: “Maritime Climates” at the goEast Festival of Central and Eastern European Film

Gabrielė Liepa reviews "Maritime Climates," a short film consisting of the surviving fragments from an unusually experimental Soviet film

Emigration, nostalgia, and a Croatian groundhog day: “The Uncle” at the goEast Festival of Central and Eastern European Film

Emigration, nostalgia, and a Croatian groundhog day: “The Uncle” at the goEast Festival of Central and Eastern European Film

Xandie (Alexandra) Kuenning reviews "The Uncle," a tense thriller examining family dynamics and Yugoslav nostalgia