Format

Fin Logie reviews "House on the Volcano," a gem of Soviet Armenian film accompanied in this Glasgow screening by a live score

Marija Ivanovic reviews "Safe Place," Juraj Lerotić's debut feature film based on his own family's experience with suicide

Jakub Crcha reviews "Colors of Tobi," a documentary tackling issues of identity and acceptance in contemporary Hungary

Xandie (Alexandra) Kuenning reviews the Soviet Georgian feminist classic "Some Interviews on Personal Matters"

Lukas Baake reviews the Tajik film "Bratan," an entertaining roadtrip movie that also operates as a worthwhile portrait of brotherly care

Xandie (Alexandra) Kuenning reviews "King Lear: How We Looked For Love During the War," a noteworthy film about love and human resilience

Xandie (Alexandra) Kuenning reviews "Aurora's Sunrise," a partly-animated film delving into a lesser-known figure of the Armenian Genocide

The results of the 2021 census in Poland produced a shock for Kashubians, a small minority in northern Poland little-known outside of the Republic. A decline of over 50,000 members has left two [...]

Xandie Kuenning reviews Maradia Tsaava's 2021 film "Water Has No Borders," a documentary more about the filmmaker than its ostensible topic

Robert Brambilla looks at the history of the small Caribbean island Ernst Thälmann, once symbolically a part of East Germany