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News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

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News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

Start typing and press Enter to search

  • ANALYSIS
  • NEWS
  • POLITICS
  • OPINION
  • CULTURE
  • REVIEW
  • PHOTOGRAPHY
  • ABOUT
    • WHAT IS LOSSI 36?
    • OUR STORY
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Reviews

 A surreal manifesto for peace: Reviewing “The Cyclops Bomb” by Guram Odisharia

A surreal manifesto for peace: Reviewing “The Cyclops Bomb” by Guram Odisharia

April 28, 2023

Xandie (Alexandra) Kuenning reviews Guram Odisharia's "The Cyclops Bomb," a vivid, vicious, and absurd novel about conflict in the Caucasus

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 Poetry by means of curation: Reviewing “Breathing Technique” by Marija Knežević

Poetry by means of curation: Reviewing “Breathing Technique” by Marija Knežević

April 21, 2023

Katherine Leung reviews the poetry collection "Breathing Technique" by Marija Knežević, translated from the Serbian by Sibelan Forrester

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 Poetry for the quiet ones: Reviewing “For the Shrew” by Anna Glazova

Poetry for the quiet ones: Reviewing “For the Shrew” by Anna Glazova

April 14, 2023

Katherine Leung reviews the poetry collection "For the Shrew" by Anna Glazova, which can speak to introverts everywhere

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 A tale of a man tougher than stone: Reviewing the film “Pamfir”

A tale of a man tougher than stone: Reviewing the film “Pamfir”

April 12, 2023

Marianna Jaśniak reviews "Pamfir," a deeply unsettling but rewarding film by Dmytro Sukholytkyy-Sobchuk that is both universal and inextricably Ukrainian

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 Revealing Tbilisi’s silent citizens: Reviewing Machavariani’s film “Sunny”

Revealing Tbilisi’s silent citizens: Reviewing Machavariani’s film “Sunny”

April 6, 2023

Xandie (Alexandra) Kuenning reviews "Sunny" ("Mziuri"), a Georgian documentary bringing notice to the hidden citizens of Georgia

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 Astute observations: Reviewing “Tideline” by Krystyna Dąbrowska

Astute observations: Reviewing “Tideline” by Krystyna Dąbrowska

March 29, 2023

Katherine Leung reviews Krystyna Dąbrowska's "Tideline," a collaborative poetry collection that highlights the the extraordinary in everyday life

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 Borderless: Reviewing “Paper-thin Skin” by Aigerim Tazhi

Borderless: Reviewing “Paper-thin Skin” by Aigerim Tazhi

March 20, 2023

Katherine Leung reviews "Paper-thin Skin," Aigerim Tazhi's second poetry volume reflecting on identity and the stability of nature

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 A bleak forecast: reviewing “To the Ashes” by Anzhelina Polonskaya

A bleak forecast: reviewing “To the Ashes” by Anzhelina Polonskaya

March 8, 2023

Katherine Leung reviews Anzhelina Polonskaya's poetry collection "To the Ashes," a lamentation of Russian authoritarianism

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 Abandoned socialist hope and mother-daughter relationships: “Museum of the Revolution” at the Tbilisi International Film Festival

Abandoned socialist hope and mother-daughter relationships: “Museum of the Revolution” at the Tbilisi International Film Festival

February 14, 2023

Maja Soomägi reviews "Museum of the Revolution," a symbolic film about those living on the margins of society, decades after the post-socialist utopian dream ended

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 Unearthing the forgotten story of Jewish agents in the Second World War: “Occasional Spies” at the Tbilisi International Film Festival

Unearthing the forgotten story of Jewish agents in the Second World War: “Occasional Spies” at the Tbilisi International Film Festival

January 18, 2023

Alexandra Kuenning reviews "Occasional Spies," a gripping and innovative documentary about a group of Palestinian Jews who volunteered to return to their countries of origin in Eastern Europe in [...]

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Bringing you news, analysis, and photography from Central and Eastern Europe, Russia, the Caucasus, and Central Asia. Shining a spotlight on the work of students and up-and-coming professionals.

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