News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

Start typing and press Enter to search

  • HOME
  • ANALYSIS
  • NEWS
  • POLITICS
  • OPINION
  • CULTURE
  • REVIEW
  • PHOTOGRAPHY
  • ABOUT
    • WHAT IS LOSSI 36?
    • OUR STORY
    • OUR TEAM
    • JOIN OUR COMMUNITY
    • OUR PARTNERS
CONTRIBUTE
News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

Start typing and press Enter to search

  • HOME
  • ANALYSIS
  • NEWS
  • POLITICS
  • OPINION
  • CULTURE
  • REVIEW
  • PHOTOGRAPHY
CONTRIBUTE
  • ABOUT
    • WHAT IS LOSSI 36?
    • OUR STORY
    • OUR TEAM
    • JOIN OUR COMMUNITY
    • OUR PARTNERS
News, Politics, and Culture from Central and Eastern Europe, Russia, the Caucasus, and Central Asia

Start typing and press Enter to search

  • ANALYSIS
  • NEWS
  • POLITICS
  • OPINION
  • CULTURE
  • REVIEW
  • PHOTOGRAPHY
  • ABOUT
    • WHAT IS LOSSI 36?
    • OUR STORY
    • OUR TEAM
    • JOIN OUR COMMUNITY
    • OUR PARTNERS

Reviews

 The warm love of family against the cold ignorance of state authorities: “Safe Place” at the Samizdat Festival of Central and Eastern European Film

The warm love of family against the cold ignorance of state authorities: “Safe Place” at the Samizdat Festival of Central and Eastern European Film

September 11, 2023

Marija Ivanovic reviews "Safe Place," Juraj Lerotić's debut feature film based on his own family's experience with suicide

Read More
 A micro-portrait of a family grappling with gender identity in Hungary: “Colors of Tobi” at the Samizdat Festival of Central and Eastern European Film

A micro-portrait of a family grappling with gender identity in Hungary: “Colors of Tobi” at the Samizdat Festival of Central and Eastern European Film

September 11, 2023

Jakub Crcha reviews "Colors of Tobi," a documentary tackling issues of identity and acceptance in contemporary Hungary

Read More
 A feminist depiction of Soviet womanhood: “Some Interviews on Personal Matters” at the Samizdat Festival of Central and Eastern European Film

A feminist depiction of Soviet womanhood: “Some Interviews on Personal Matters” at the Samizdat Festival of Central and Eastern European Film

September 10, 2023

Xandie (Alexandra) Kuenning reviews the Soviet Georgian feminist classic "Some Interviews on Personal Matters"

Read More
 A joyful depiction of brotherly care: “Bratan” at the Samizdat Festival of Central and Eastern European Film

A joyful depiction of brotherly care: “Bratan” at the Samizdat Festival of Central and Eastern European Film

September 10, 2023

Lukas Baake reviews the Tajik film "Bratan," an entertaining roadtrip movie that also operates as a worthwhile portrait of brotherly care

Read More
 “A human being without love has no chance of life”: “King Lear: How We Looked For Love During the War” at the Samizdat Festival of Central and Eastern European Film

“A human being without love has no chance of life”: “King Lear: How We Looked For Love During the War” at the Samizdat Festival of Central and Eastern European Film

September 10, 2023

Xandie (Alexandra) Kuenning reviews "King Lear: How We Looked For Love During the War," a noteworthy film about love and human resilience

Read More
 “The people are my nation. If my nation is gone, no more Armenians live”: “Aurora’s Sunrise” at the Samizdat Festival of Central and Eastern European Film

“The people are my nation. If my nation is gone, no more Armenians live”: “Aurora’s Sunrise” at the Samizdat Festival of Central and Eastern European Film

September 10, 2023

Xandie (Alexandra) Kuenning reviews "Aurora's Sunrise," a partly-animated film delving into a lesser-known figure of the Armenian Genocide

Read More
 “Going to Abkhazia is like stepping into a fairytale — it’s impossible”: Maradia Tsaava’s film “Water Has No Borders”

“Going to Abkhazia is like stepping into a fairytale — it’s impossible”: Maradia Tsaava’s film “Water Has No Borders”

September 5, 2023

Xandie Kuenning reviews Maradia Tsaava's 2021 film "Water Has No Borders," a documentary more about the filmmaker than its ostensible topic

Read More
 Poems of oppression and liberation: “I Set It Free: An Anthology of Georgian Women’s Contemporary Poetry”

Poems of oppression and liberation: “I Set It Free: An Anthology of Georgian Women’s Contemporary Poetry”

August 22, 2023

Xandie (Alexandra) Kuenning reviews the 2019 anthology "I Set It Free," a collection emphasising contemporary poetry by Georgian women

Read More
 A snapshot of Russian emigrés in New York: Reviewing “The Funeral Party” by Ludmila Ulitskaya

A snapshot of Russian emigrés in New York: Reviewing “The Funeral Party” by Ludmila Ulitskaya

August 11, 2023

Xandie (Alexandra) Kuenning reviews "The Funeral Party," Ludmila Ulitskaya's first full-length novel to be translated into English

Read More
 Isolation, paranoia, and cruelty on a daily basis: “Mud Sweeter than Honey: Voices of Communist Albania” by Margo Rejmer

Isolation, paranoia, and cruelty on a daily basis: “Mud Sweeter than Honey: Voices of Communist Albania” by Margo Rejmer

August 1, 2023

Xandie (Alexandra) Kuenning reviews "Mud Sweeter Than Honey," an oral history of Communist Albania into the 1990s

Read More
Lossi 36

Bringing you news, analysis, and photography from Central and Eastern Europe, Russia, the Caucasus, and Central Asia. Shining a spotlight on the work of students and up-and-coming professionals.

Lossi 36 is a non-governmental organisation registered in Sweden. Org-nr: 802541-6234.

Regions
  • Caucasus
  • Central Asia
  • Central Europe
  • Eastern Europe
  • Russia
  • Southeastern Europe
Foci
  • Politics
  • Civil Society
  • Culture
Formats
  • News
  • Analysis
  • Opinion
  • Review
  • Interview
  • Photography
  • Stories
  • Editorial
  • Lossi Asks
Copyright © 2020 Lossi 36. All Rights Reserved.
  • Contact
  • Join our community
  • Newsletter
  • Home

We are using cookies to give you the best experience on our website.

You can find out more about which cookies we are using or switch them off in .

Powered by  GDPR Cookie Compliance
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.