Archives

Xandie Kuenning reviews Maradia Tsaava's 2021 film "Water Has No Borders," a documentary more about the filmmaker than its ostensible topic

Xandie (Alexandra) Kuenning reviews the 2019 anthology "I Set It Free," a collection emphasising contemporary poetry by Georgian women

Xandie (Alexandra) Kuenning reviews "The Funeral Party," Ludmila Ulitskaya's first full-length novel to be translated into English

Xandie (Alexandra) Kuenning reviews "Mud Sweeter Than Honey," an oral history of Communist Albania into the 1990s

Xandie (Alexandra) Kuenning reviews "American Fairy Tales," a semi-fictional account of Dato Turashvili's experiences in the United States

Xandie (Alexandra) Kuenning reviews "Estoril," a Serbian novel about spycraft, exile, and family in neutral Portugal during World War II

Xandie (Alexandra) Kuenning reviews "The Pass of the Persecuted," Guram Odisharia's personal account of crossing the Sakeni-Chuberi mountain pass during the 1992–93 Georgian-Abkhazian conflict

Xandie (Alexandra) Kuenning reviews Madina Tlostanova's seminal work examing how decolonial art can build a new future within post-Soviet states

Xandie (Alexandra) Kuenning reviews the Serbian documentary "Flotacija," where magic coexists with the harsh reality of a destructive mining industry

Xandie (Alexandra) Kuenning reviews "Atlantis," an exploration of what post-war Ukraine could look like, both the good and the bad